2025
This piece is an experimental work that applies the ink-wash gradation technique of East Asian painting—traditionally used to express depth and perspective—to furniture.
The front of the chair is finished in a deep, dark ink tone, which gradually becomes lighter toward the back. The thickness of the wooden components also decreases progressively, maximizing the sense of visual depth.
The work demonstrates how furniture can transcend pure functionality and expand into sculptural objects that embody spatial depth.