Enhye Yoo

Category

Craft

Country

Korea

Genre

Ceramics & Pottery

작가 소개

Making care visible through the material language of clay and glass.

Eunhye Yoo is an artist whose work examines the emotional and invisible labor embedded in everyday caregiving. Through ceramics and glass, she transforms domestic gestures—repetitive tasks, accumulated fatigue, fleeting joy, and quiet disappointment—into tangible forms that hold the residue of lived experience.

Her flowing glazes and attached objects become traces of layered emotions, revealing how care is never linear nor purely sweet. Instead, it is mixed, complex, and often uncomfortable—much like the damp rubber gloves that cling stubbornly to the hand. Yoo interrogates the cultural expectations that bind caregiving to identity, particularly within the role of “mother,” and questions why such labor is assumed to be natural or effortless.

In her glass works, transparency and opacity become conceptual tools. The glass exposes; the clay conceals. Their tension mirrors the duality of care—what is shown publicly and what is endured privately. Through this material dialogue, viewers are invited to reflect on their own relationships with labor, care, and emotional visibility.

Yoo’s practice transforms mundane containers, domestic tools, and intimate gestures into sculptural meditations on the weight and warmth of care. Her works give form to what is often overlooked, urging us to witness, acknowledge, and rethink the stories embedded in the everyday.

Main activity genre

Ceramics & Pottery

Category

Craft

Artist Image
Artist Image
Artist Image

ARTWORKS

Materials: Ceramic, Kanthal wire
Techniques: Coiling, Press molding
Firing: Oxidation firing

The daily caregiving tasks at home are not always sweet;
they often carry a mix of salty disappointment and quiet fatigue.

The flowing glaze embodies the complex emotions felt within family and social relationships,
while the objects attached to the surface serve as traces—records—of those layered feelings.

Production Year: 2025
Production Technique: Hand-building

Techniques: Transfer printing
Firing Oxidation firing

Just as I’m about to put on the rubber gloves, the dampness clings to my skin and my hand won’t go in.
I’m ready to start doing the dishes, yet the steam escapes.
Still, there’s no choice but to continue.

Though I do this task three times a day, it is neither familiar nor enjoyable.
Like forcing my hand into stubborn rubber gloves, I barely push myself through it each time.

The “labor” attached to my role as a “mother” is not something that happens naturally or effortlessly.
It is uncomfortable—just like those damp rubber gloves.

Production Year: 2025
Production Technique: Hand-building

Techniques: Press molding, Glass casting
Firing - 1,250 °C, Oxidation firing

The objects placed on the food container represent the residues of caregiving—
the accumulated traces of joy, fatigue, disappointment, and moments of satisfaction.

Production Year: 2025
Production Technique: Hand-building

Materials: Ceramic, Glass
Techniques: Press molding, Glass casting
Firing: 1,250 °C, Oxidation firing

In the glass works, the contrast between the transparency of glass and the opacity of clay is used to articulate the duality of caregiving—its public and private dimensions.
The tension between what glass reveals outwardly and what clay conceals within parallels the visibility and invisibility of caregiving labor.

As viewers engage with this material dialogue, they project their own experiences and emotions onto the work, prompting a renewed reflection on the meaning of care.

Production Year: 2025
Production Technique: Hand-building